Nikkei Influence In Star Trek

Successful television & film franchises that span decades are few and far between. More so, ones that have consistently featured both Japanese actors and Japanese characters. It occurred to us while writing our previous post for American Mishima that featured Miko Mayama, that we overlooked a larger story of Nikkei in television & film.

As a Science Fiction fan I've always loved Star Trek for it's inclusiveness of Aliens and other races. In particularly when it originally aired at a time back in the 1960's when such roles for non-Caucasians were either few roles mostly delegated to playing out tired old racial & cultural stereotypes. Not so on Star Trek! Gene Roddenberry had a vision for the future that included people of all walks of life where people were treated as equals. While much has been written about the Nichelle Nichols break through the color barrier with her character Uhura, not so much has been written about the Nikkei of Star Trek. We at American Mishima decided to do something about that so here's our take on this overlooked issue.

It could be said that many of the Alien roles were place holders for America's friends and foes during the turbulent Vietnam Ear of the 1960's. Not every role such as Pavel Chekov played by Walter Koenig was so obvious. It had been some 21 years since writer-creator,producer Gene Roddenberry last flew B-17's against Japan for the 394th Bomb Squadron out of the captured Japanese airbase of Runga Point in Guadalcanal later renamed Henderson Field. Not much has been said of Roddenberry's reccollection of his 89 missions and experience. Before the Wars end he was decorated with the Distinguished Flying Cross and the Air Medal. Perhaps as with many veterans of that Greatest Generation, the experience of war changed their outlook on life and of their former enemies. Of all the non-Caucasian non-alien roles, Nikkei actors maintained an ever present presence on the Star Trek Franchise.

So where did this start? WWII or that first TV Pilot of Star Trek - The Cage? The Cage was Star Trek's original pilot that the network executives found "too cerebral" and mortified having a powerful female first officer (Majel Barret) and an alien officer (Leonard Nimoy) on the bridge of the USS Enterprise. On no uncertain terms, "either the alien goes of the woman goes." As the story goes, Roddenberry went with the Alien Vulcan and fired the woman #1 played by Majel Barret who as a concession for being fired was made his real life wife in a Shinto Wedding in Japan. It is noted that Roddenberry himself practiced no religion yet saw that since he had asked her to come to Japan that they would marry there in traditional Shinto ceremony. Not something you would expect from a man who once fought against Japan but there you have it. By the second re-launch of Star Trek, we would be introduced to America's most famous Nisei of all time George Takei in the role that dominated his career as Hikaru Sulu. As much as we love to write about George Takei, we thought we would go down the line of Nikkei who appeared in Star Trek and say something about their roles. It should also be noted that all of these Asian-American actors are all American Born.

Hikaru Sulu most famously played by George Takei. He became a permanent character as the Enterprise's helmsman starting from the Second Star Trek Pilot all the way into the Star Trek motion pictures. His character would also rise in rank to eventually become the Captain of the USS Excelsior in Star Trek The Undiscovered Country. George Takei recalled Gene Roddenberry wanted the character to represent all of Asia, which symbolized the peace of the Trek universe in spite of the numerous wars in the continent. Roddenberry did not want a nationally specific surname, so he looked at a map and saw the Sulu Sea. "He thought, 'Ah, the waters of that sea touch all shores'," the actor recalled, "and that's how my character came to have the name Sulu. Given the era that this took place the logic becomes clear. "In the book Inside Star Trek The Real Story, the character's name is noted as a play on the name of vice president of Desilu Studios, Herb Solow. George continues to act and speaks regularly about his boyhood experiences of being being forcibly imprisoned in America's Concentration Camps during WWII as well as his many fan appearances at Star Trek events.

Yeoman Tamura played by Miko Mayama appeared in only one episode of the original series "A Taste of Armageddon." She would continue acting in film and television until the final episode of M*A*S*H in 1979. As previously stated, we wrote about her here on American Mishima. If you're reading Miko, we're still rooting for you!

 

Ensign Yamada played by Momo Yashima appeared in Star Trek The Motion Picture in 1979. Though this was her only Star Trek appearance she would go on to appear in other projects such as Farewell to Manzanar, M*A*S*H, Babylon 5, and Six Feet Under.

 

Nurse Alyssa Ogawa played by Patti Yasutake first appeared in the fourth season of Star Trek Next Generation and would appear in both Generations and First Contact. She continues to act and has recently appeared on Cold Case.

 

Vice Admiral Nakamura played by Clyde Kusatsu who had a reoccurring role on Next Generation. He continues to act and has also starred in many of the same shows as his other Star Trek Alumni such as M*A*S*H and Farwell to Manzanar. He is also noted for his numerous war roles portraying Japanese Officers.

Other Nikkei Characters played by non-Japanese

Demora Sulu was played by Jacqueline Kim whose sole appearance was in Star Trek Generations. She is the first Korean-American to win a Spirit Award. Aside from being an actress, she is also a Director, Producer,  and an accomplished Composer. Her lines in the script for Star Trek Generations were originally written for Hikaru Sulu, but George Takei turned down the offer to appear in the movie. Kim is most recently working in the Threshold series on television.

Keiko O'Brien played by Rosalind Chao. Rosalind made many appearances on Star Trek Next Generations and Deep Space Nine as the wife of Chief Miles O'Brien. Born Chao Jyalin, this Chinese-American originally competed with Patty Yasutake for a role on Star Trek. What's noted is her dignified portrayal of Keiko Ishikawa, daughter of Hiro Ishikawa, of Japan. It is noted that her character Keiko had a strong bond with her family and past; as a child, she used to help her grandmother, whom she called "Obachan", with her Japanese brush writing or calligraphy. Young Keiko would fill an old chipped cup with water and bring it to the table for her grandmother to use for cleaning the ink brushes. In that respect Rosalind Chao did a good portrayal of a Japanese woman. She continues to act and was most recently credited with an appearance on Law and Order in 2011.

Now some readers may try to make something out of this article that it is not. This is after all a Japanese-American experience Blog and in so we do write about the Japanese experience. As to how we feel about non-Nikkei playing Japanese roles I will best leave that to George Takei who in an article when asked about the creation of Demora Sulu, he stated: "It's intriguing. I'd like to know how I had her. Who her mother is. That's the thing about doing a long-lasting serialized film or TV series. You really are in the hands of the writers and the other molders and shapers of the series. You make your input and you hope for the best. In my case my input didn't take too much during the time I was there and I'm so delighted to discover that I was so ultimately productive after the fact."

さん がつ March and the Madness of the Past

Konnichi-wa! March is here and with it the anniversary of things to consider. On Friday, I will turn 42. I am still out of work after two years and not out of financial trouble. I continue to train in the Samurai Arts and partake in both Buddhist and Shinto ceremonies. I have yet to have any of my screen plays published or made into films and my current novel is still in the works. Under the Buddhist and Shinto Calendars, this is still a critical year for those of us born in 1968. I have now been writing for over a year with four books partially written and a score of screen plays. As the letters from lawyers come in from accounts I have defaulted as a result of my two year unemployment, I have to examine if there is a light at the end of my tunnel. I was here a year ago but unlike then my sense of purpose has changed. I have decided to no longer pursue work in the Information Technology field. After two years of rejection and my hunger to return to the film industry has returned, for me to do anything else would be baka. There is nothing certain about this move but it will allow me to continue to write until I can become published and inevitably a full fledged producer of Japanese –American films. American Mishima will rise and with it will come the means for me to get to Japan. So as some would argue come this Friday my two years of crisis will come to an end and perhaps with some small movie work I will be able to pay some of my creditors and move forward. All one can do is try and never lose hope.

It was a year ago on my birthday that I tried to end my life and as a result was thrown in prison for an unrelated crime I did not commit. Much has changed in this last year. In that time I became inspired by my meeting with Dexter & Six Feet Under star Michael C. Hall who in our conversation encouraged me to go for my dreams. To do so otherwise would be the death of the soul. What he said carried weight with me. In the darkest of places I prayed and offered my apologies to the Kami who I had offended and the Buddha’s mercy. They answered my prayers and relased me from bondage of despair. Since that time they have brought me full circle. My problems will not be solved over night nor will my books be completed in time to save me from being sued. I must continue with Samurai determination and not fail those who still believe in me. I have something to live for now. Which brings me to my favorite Babylon 5 quote from the fictional Book of G’Quan: “There is a greater darkness than the one we fight. It is the darkness of the soul who has lost its way. The war we fight is not against powers or principalities. It is against chaos and despair. Greater than the death of the flesh is the death of hope, the death of dreams. Against this peril we can never surrender. The future is all around us, waiting in moments of transition, to be born in moments of revelation. No one knows the shape of that future or where it will take us. We only know it is born in pain.”